@JayHawkFanToo
I was remarking similarly about The Voice and America's Got Talent.
I enjoy these two shows a lot, because they are about something other than hyper pessimism, hyper ugliness, and hyper authoritarianism resplendent in baroque-noir style holding down the mindlessly violent and ugly serfs by near torture interrogation and extraction of coerced confessions as the best we can hope for in a duly constituted republic and a nation of laws temporarily overrun by an arrogant private oligarchy drunk on the capacity of recent technology to amplify their greed and grasp over command and control.
BUT...
Then a friend sent me a feed of a kinescope of the Jimmy Durante Show--an early variety show from 1952--and I watched it in amazement, for I had forgotten how marvelous it was to be entertained by skilled, professional entertainers.
My friend suggested that sport is popular, because it is the last type of popular entertainment where technology and economics converge to still permit/require highly talented, skilled, and drilled pre-professionals and professionals be the performers.
He is a KU fan. He said imagine KU Basketball in which Bill Self, Frank Mason, Devonte, Josh, Bragg, and Landen sit in big, tech-throne chairs along the court and watch and judge the walk-ons, who are the primary performers for the team for the entire season. He said that is The Voice.
It took awhile to sink in.
The point is that it is not economical to pay the professional entertainers on The Voice to perform their actual skills every night. They charge too much. The economics of the show only work if they sit there and do nothing and watch, like you and me, while amateurs looking for a big break perform for nothing, or next to nothing, and subject themselves to the debasement of being commoditized before our eyes.
I am not knocking The Voice and shows like it. I don't blame Americans thirsting for entertainment wanting to watch amateurs sing and dance, instead of beat confessions out of scum bags and white collar criminals (aka white middle class men being image reengineered with mass media to not be such an influential, successful portion of the society and electorate). But how economically dysfunctional is it, when the American economy can no longer afford to be entertained by skilled, professional entertainers, EVEN virtually and remotely through TV?
So: it is not just that Americans are base and crazed seekers of instant gratification. That is largely the effect of a cause. The cause is that the American economy can afford to present skilled performers even virtually to the American public, given its high 22% unemployment (when accounted for with pre-1980 criteria), outsourced high paying jobs (accomplished with tax subsidy), largely failed experiment with central bank centric central planning, and largely failed experiment with deeply subsidized oligopoly market regimes, etc.
Through out American little "r" republican history, until the rise of blatantly insipid and anti-democratic neo conservative deconstruction of legacy Constitutional order and New Deal economic institutions, and the temporary, but 16 year and counting eclipse of the sovereign republic with the National Security State apparatus and its FEMA COG shadow government (and no doubt with the interference of central bank centric interests from states outside the USA) that appears to be badly bungling the staging of this Presidential election, well, through out that long little "r" republican history, America arts and letters and popular entertainment grew to become some of the most wildly popular and beloved art forms and entertainment products in the world.
The American popular song came to dominate popular music in the 20th Century. Dixieland, ragtime, jazz, blues, country, even American classical music blossomed BEFORE the great baroque-noir era of increasingly unaffordable entertainment by skilled professional entertainers.
The American popular movie came to dominate popular cinema in the 20th Century. Shorts. Silent films. Talkies. Epics. Americans produced some of the best of all of these types of entertainment and found ways to make them affordable enough to pay skilled professionals to act in them and found movies chains, separated from production companies by anti-trust enforcement, capable of not gouging so much for distribution that Americans actually got to see great skilled professional performers at least on the screen.
Radio the same.
Television the same.
Music the same.
The republic operating constitutionally under rule of law found ways to afford to entertain citizens with skilled professional performers. Self entertainment stayed on the porch swing, where it belonged. Amateur entertainment stayed in small venues like regional theater, and mellerdrammers.
Its not that the old republic did not have casualties of modernization. Vaudeville, which developed many of the skilled professional entertainers of the old republic of the 20th Century could not compete with the outlets of movies, radio and television. The fabulous territorial big bands that lived in KC and toured the southwestern US playing in gin joints that sold Pendergast booze disappeared with the end of prohibition, the end of the Depression, and the mass urbanization after WWII. But the ascendent, replacement outlets (portals if you will) for entertainment could still afford to use skilled professional performers.
It is almost unbelievable that we have now at least two generations of young Americans that know only reality TV and amateur TV; that have never been consistently entertained by skilled professionals. We are literally being entertained in national, regional and even global audiences now by persons that wouldn't even have been allowed on a vaudeville stage, wouldn't even have been allowed on Howdy Doody; wouldn't even have been allowed on 12 Street and Vine.
It is so extraordinary that I am not really able even to take a stab at the likely effects on culture over the next several decades.
I know there are great performers out there todays, and that in fields like digital down load music, we are perhaps at an all time zenith of quantity of skilled professional performers, whether or not I still listen to and like much of it. Steve's iPod and his phone and DARPA's internet enabled this.
But movies, television, and streaming video?
More and more they cannot afford to use skilled professional actors. More and more they have to use walk ons and special effects, and locations without artifice to try to crank the shit out on a budget that makes ends meet.
I know the very top of the entertainment biz is more flush than ever before, because of the globalization of markets, coupled with the balkanizing of 2000 channels. and growing.
But look for a musical that is more than Meryl Streep hoofing in Greece with a bunch of nobodies free riding off some Mediterranean scenery, or someone trying to stretch a rock video out to feature length, and you won't find it. The economics don't pencil. They haven't penciled since back in the third quarter of the old 20th Century republic.
We are having a brief renaiissance of the mini serial on NetFlicks and HBO. House of Cards and Masters of Sex come to mind, but there are lots more. It is not that there is no good product out there. There may be more than there has been in a long time.
But reality TV and amateur TV used to be exceptions to the rule, rather than dominant product of the time. Ted Mack Amateur Hour, the game shows, and so on were there to fill till prime time.
Now prime time is full of them.
More and more media is reruns.
Even the original products are so formulaic and populated with the same underlying polygonal FX, that they are essentially reruns that are being seen for the first time. Tasty paradox.
One truly great irony of our time is that even the intel agencies are reputedly getting away from real false flag casualty events and starting to stage fake false flag casualty events; i.e., casualty event simulations using trained accident simulation actors given legends and that quickly disappear., or so it is reputed by some. On one level we should be grateful. Better they scare us with fake injuries than really hurting a bunch of innocent persons. But best would be if they just stopped doing false flags entirely--faked or real. Regardless, when ever someone on the alternate news internet takes the time to go frame by frame through one of these faked terrorist events, and one looks at the accident simulation actors, they really don't look all that skilled and professional. We are not talking Betty Davis playing persons that have just supposedly had their limbs blown off. They look more like they have been doing it a few years part time and are just going through the motions so the intel cameramen can get their shots and feed them to mainstream media, or so it is reputed to be done. I don't know. I don't have any first hand knowledge of this sort of thing. I am just struck by the irony and emblematic aspects of the reputed activity in the age of hyper realism and post skilled professional actor entertainment.